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DTSTART;TZID=America/New_York:20260211T180000
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UID:3094-1770832800-1770836400@www.fabsocieties.org
SUMMARY:RGME Symposium at The Grolier Club: Transformations and Renewals
DESCRIPTION:Sponsored by The Research Group for Manuscript Evidence and The Grolier Club \n\nWith Mildred Budny\, Beppy Owen\, John T. McQuillen\, Reid Byers\, Richard Kopley\, Mark Samuels Lasner\, and Mary Crawford\n\n\n\nFriends of the Research Group on Manuscript Evidence\, a Princeton-based 501(c)(3) educational organization\, will visit the Grolier Club for an in-person/hybrid ‘Roundtable’. In lightning talks\, several Club members will discuss a curated selection of books\, manuscripts\, and prints on the RGME’s 2026 organizational theme of “Transformations and Renewals.” Open to the public\, this event will be live-streamed and will offer book-signings for Club member guides who have recently published works discussed. \nRegister here: https://www.eventbrite.com/e/virtual-transformations-and-renewals-tickets-1978004310138?aff=ebdsoporgprofile
URL:http://www.fabsocieties.org/event/rgme-symposium-at-the-grolier-club-transformations-and-renewals/
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DTSTAMP:20260530T192306
CREATED:20260106T004422Z
LAST-MODIFIED:20260203T155916Z
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SUMMARY:Jessica Spring: From Printers Row to Parts Unknown
DESCRIPTION:Sponsored by The Caxton Club. \n\n\n\n\n\n\n\n\n\n\n\n\nFebruary Evening Program \n \nBook artist and letterpress printer Jessica Spring will share strange-but-true tales of her journey from Chicago to the Pacific Northwest\, guided by wise mentors – and some villains – who continue to inspire another climb into the press bed. \nSpring began her interest in typography as a phototypesetter in the 1980s working for the college newspaper and learning graphic design. After graduation\, she continued typesetting\, working at the last typesetting shop on Printer’s Row\, then at the Chicago Reader. Spring co-founded a graphic design firm\, and for over a decade\, offered letterpress printing while also serving predominantly nonprofit clients. As her interest in book arts grew\, she attended graduate school at Columbia College Center for Book and Paper Arts and founded Springtide Press in 1999. \nBy 2003\, Spring moved to Tacoma\, Washington. She taught book arts for decades at Pacific Lutheran University and continues to teach workshops around the country. A continued focus has been researching historic type composition\, which resulted in the invention of Daredevil Furniture to help other printers set type in circles\, curves\, and angles. Collaborations are a vital part of her work\, including many years co-producing the Dead Feminists series and co-authoring Dead Feminists: Historic Heroines in Living Color. \nThe projects at Springtide Press include artists books\, broadsides\, and ephemera\, and can be found in collections around the country and abroad. Small finely-crafted editions and one-of-a-kind books explore historical topics\, popular culture\, and typography from a unique perspective. Spring’s work focuses on amplifying voices needing to be heard\, telling stories in a new way\, and ultimately\, preservation through production. \nOur shop motto\, “where we always print damp” recognizes the Pacific Northwest as a fine place to print\, where the damp climate helps make a good impression. \nTo register\, click here.
URL:http://www.fabsocieties.org/event/jessica-spring-on-from-printers-row-to-parts-unknown/
CATEGORIES:Caxton Club
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